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The Invisible Circus, by Jennifer Egan
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In Jennifer Egan’s highly acclaimed first novel, set in 1978, the political drama and familial tensions of the 1960s form a backdrop for the world of Phoebe O’Connor, age eighteen. Phoebe is obsessed with the memory and death of her sister Faith, a beautiful idealistic hippie who died in Italy in 1970. In order to find out the truth about Faith’s life and death, Phoebe retraces her steps from San Francisco across Europe, a quest which yields both complex and disturbing revelations about family, love, and Faith’s lost generation. This spellbinding novel introduced Egan’s remarkable ability to tie suspense with deeply insightful characters and the nuances of emotion.
From the Trade Paperback edition.
- Sales Rank: #79423 in eBooks
- Published on: 2010-09-29
- Released on: 2010-09-29
- Format: Kindle eBook
From Publishers Weekly
First-novelist Egan examines the bittersweet legacy of the 1960s through the story of a teenage girl who travels to Europe to retrace the steps of her dead sister.
Copyright 1996 Reed Business Information, Inc.
From Library Journal
The 1960s seem to have had a pervasive influence on the lives of those who were young then. Phoebe O'Connor saw those years in terms of her older sister Faith's life and death. In 1978, 18-year-old Phoebe decides to relive the final months of Faith's life and perhaps discover the truth about her death. She leaves San Francisco for Europe, determined to retrace Faith's journey using the precious postcards from Faith that she has saved for ten years. She visits London, Amsterdam, France, and Germany, where she meets Faith's lover, Wolf. Wolf decides to accompany her to Italy, and they have a passionate, feverish affair as they travel to the place of Faith's death. Phoebe learns the truth about Faith, the sister she has idealized, and about herself and her family. These self-realizations are often painful to read because they are so real. Egan's first novel is great reading. Recommended for most fiction collections.
Barbara Maslekoff, Ohioana Lib., Columbus
Copyright 1994 Reed Business Information, Inc.
From Kirkus Reviews
This sensitive debut novel puts theme before function in portraying the post-Boomer generation's nostalgia for the '60s they just missed out on. In 1978, 18-year-old Phoebe O'Connor is still haunted by the mysterious death, termed a suicide in 1970, of her hippie teenage sister Faith in Italy. Newly graduated Phoebe is feeling restless at home in San Francisco after discovering that her widowed mother is romantically involved with her boss. Phoebe's further horrified when her mother insists that her father, a would-be painter whose day job was being an IBM executive, had no talent. She spontaneously takes off for Europe to retrace Faith's steps in the days leading up to her death. Egan (whose stories have appeared in major magazines) takes a long time setting all this up, and in order to get the background in place, she often makes matters too convenient. It seems unlikely that an old friend of Faith's would run into Phoebe, recognize her (because of her resemblance to her sister), invite her to his apartment, talk about her sister, and then hand her a joint to deliver to his cousin in Munich. Later, when Phoebe arrives in Munich, there is a coincidence so huge and unbelievable that it almost destroys the earnest heart of this book. On the other hand, Egan does some fine writing. Descriptions of Amsterdam and London are so accurate they are almost tactile, and Phoebe's disappointment in finding that things are no longer quite so groovy as they used to be anywhere in the world is convincing. Eventually, she gets to the locus of Faith's despair and learns how the ideals of the '60s disintegrated. All of this is logical, but Egan has clearly set out to depict an entire generation rather than to tell a story. For example, Phoebe's brother is a 23-year-old millionaire with his own software company who exists only to show the alternative to the counterculture. Covers a lot of ground but sometimes stumbles. (Author tour) -- Copyright �1994, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
77 of 80 people found the following review helpful.
This hauntingly beautiful novel is why we read fiction.
By asdmom
Jennifer Egan's The Invisible Circus is a triumphant first novel. The riveting plot and fascinating characters make this book a page-turner, and the thematic reflections on memory and family ties keep the reader thinking of this book long after the last page. The gripping plot is at once a mystery and love story: Phoebe goes on a quest to understand her sister Faith so that she can begin her own life, free from the bonds of the unresolved family issues that Faith's life and mysterious death created. The portrayal of the relationship between Phoebe and Faith reflects more insightfully the bond between siblings than any other description I have read. Phoebe's impulsive trip to Europe results in a beautifully written adventure, filled with engaging vignettes and believable characters. Ultimately, however, it is not only the well wrought characters or carefully constructed plot that makes you love this book. Rather what makes this book a cut above are the stimulating reflections on the nature of memory, the search for transcendence, and the impact of even fleeting relationships on shaping everyday existence. The Invisible Circus will haunt you, leaving you pondering the elusiveness of memory and the ephemeral nature of experience. Faith's search for 'real life,' and the tragic consequences of her search prompts the reader to reflect on the nature of the ordinary versus the unusual, the struggle for balance between routine and risk. Ultimately this book helps the reader achieve a moment of transcendence, the highest achievement both in fiction and life.
18 of 19 people found the following review helpful.
Pat Conroy is right
By Manola Sommerfeld
I don't remember ever reading a better portrait of adolescent angst (or whatever that awful despair and loneliness that teens experience is called). Jennifer Egan truly remembers her teenage years well.
But Phoebe's is not your garden variety angst. She is marred by the deaths of her father and her older sister Faith. Her father she worshipped from a distance (as it was his choice). Phoebe also worshipped Faith, but especially after her death, to the point where she borrows the remains of her life: she sleeps in her room, she wears her clothes, she has no identity of her own.
After high school graduation Phoebe goes (escapes) on a journey across Europe, trying to figure out what happened to her sister. Along the way, she runs into her sister's old boyfriend, Wolf, and the pieces of the puzzle fall into place as if by magic.
Everything makes sense after the trip to Italy. Phoebe sheds her previous skin and embraces her new future. Wolf grieves and purges the regrets he had inside. There is a final resolution for everyone involved.
Some of the things i did not like so well about the book:
* At the very beginning, there were times where Phoebe was too adult (when in fact she was 5-6 years old). For example, she got so angry at Faith for diving from the highest board at the country club swimming pool. So young and already able to articulate her jealousy? Another example is when she witnessed her brother Barry ask their dad for help with a machine. The dad, who liberally ignored the two youngest kids, would seem distracted and in consequence disappoint Barry. Phoebe is able to express in her mind how Barry shouldn't even go there, as "she pitied her brother and wanted no part of his weakness".
* Why does Barry make a fortune in Silicon Valley about a decade too soon?
* Phoebe's encounter with Wolf is too contrived. Europe is huge for this chancy meeting to take place.
Some of the things i truly loved:
* Phoebe in all her awkwardness. She can be a total brat, she can be sensitive and pure in a way that only children can.
* I loved the analysis of the Hippie Generation of the 60s. What happened to the ideals? What happens when you grow older and look back? The loss of innocence was devastating for Faith.
* The cover, the tattered photograph of the two girls held together by tape.
* The end. It was perfect, it was devoid of sentimentality, and I loved it for that.
When i read Look at Me (which i really liked), i searched for the author on the web. I found her website. I wrote a note saying i enjoyed the book very much, and that hoped to attend any talks taking place in my area. Jennifer Egan herself replied (very cool!) and thanked me for the comments and said that as she's from the Bay Area she tends to stop by often. I was very surprised, but after all, writers write, so what's one e-mail more?
13 of 13 people found the following review helpful.
An exquisitely written coming-of-age story.
By A Customer
There is not a word out of place in The Invisible Circus; it's been a long time since I've read such beautifully crafted prose in a contemporary novel. But the portrayal of Phoebe is most amazing: She's an intelligent, troubled, and wholly sympathetic girl who comes right off the page. I was with her all the way, and with this wonderful novel as well.
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